I'm not going to argue this point, because I agree, but I think the problem is twofold: there's a large cast of characters to manage, but also for humans, character development takes place during 'everyday'/between action scenes, whereas the robots are only seen up to, during and after action sequences, probably since the robots are time-consuming and expensive to put on screen. It's 'ok' for humans to stand around and talk, but apparently not for robots. Perhaps there's an expectation that the robots should be seen to be doing something when they're on screen (although this hasn't always been the case).
Also, as I posted before, humans are there to be relatable/audience surrogates, since our world is the backdrop for these battles.
After all, I did say I also wanted to see more robot screen time, and we have been getting it with each movie
Yeah, I agree that the director has final say, but their decisions are based on the script, which is the foundation of the movie. Remember, movies released in the months after the writer's strike in 2008 suffered, since they were rushed in the writing phase to meet production and release deadlines. Even so, I can't help but wonder if Michael Bay is a favourite target - people don't blame Ridley Scott for Prometheus, or Sam Mendes for Skyfall's failings.The director is ultimately the captain of the ship when it comes to film making, and it is the director rather than the crew who accepts acclaim or blame for the strengths and weaknesses of the film. The director has the authority to make changes to the script during filming as s/he sees fit, as well as commanding the performers and crew in bringing the script to life as a film. Similarly a Prime Minister or Premier may be the head of a government which comprises many other ministers and senators, but ultimately it is the PM or Premier who accepts ultimate ownership of that government's performance. Such is the burden of leadership.![]()
It's interesting that Fast and Furious has been brought up as a comparison - it's been noted that some aspects of the movie have been compared to Bay's style, yet F&F has been reviewed more favourably. Some suspect a double-standard which views Michael Bay more negatively for whatever reason. Perhaps, as has been opined, people in cars are more 'accessible' to audiences than large alien robots.
One opinion I've read is that because Bay isn't a 'fanboy,' he might not be as invested or as sentimental as, say, Whedon (this 'investment' could also be due to the fact that Whedon wrote the scripts for both Avengers movies).As for Avengers. It's directed by Joss Whedon... who really does live for his characters... possibly a bit TOO much in the new film (did anyone else think they overdid the Hawkeye scenes?) but he makes a point of understanding the source material, the personalities, strengths and weaknesses and building on them (and he does this with every film/TV show he directs). You can tell he actually put thought into and cares about the storytelling aspect as well as the CGI and explosions. I always wonder what his take would be on a Transformers film as I think it would be a vastly different vision to that of Michael Bay.
Have you seen The Island or even Pain and Gain? No shortage of character moments there, and I have yet to come across a Michael Bay movie where the overarching plot isn't clear or present in some form. Maybe I'm taking things too literally, but I really don't get the 'no plot' criticism.
In Transformers, character interaction and development is taking place - just not with the robots. See above.
Ninja Turtles had a lot of turtle screen time, more so than the first Transformers did, so on that front, the Turtles were pushed as main characters more aggressively.
Um... doesn't that mentality kind of ensure you'll hate it, since you're expecting something to suck and therefore will look for aspects that suck to confirm your suspicion? I'm certainly guilty of this myself, mind you, but I'm just pointing it out.