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  1. #1
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    Quote Originally Posted by Paulbot View Post
    Movie theatre critics thread time? Gold Class has it's pros and cons.

    Pros: The seats are great, the theatre is small and people paid a lot so you are unlikely to get bored teenagers chatting on their phones, you can call for service at anytime instead of going out for a drink or popcorn, and you can drink alcohol.

    The main con: it can feel like every ten minutes (or less) the staff come in to deliver somebody their food or drink or popcorn or whatever which is distracting. They can come in to start clearing plates/glasses from the tables a bit too soon too, sometimes during the big climax. It can also feel a bit more lonely if you go by yourself since it's set up for 'couples/pairs'.

    I've been several times (saw the first two TF films that way and just last weekend saw Titanic 3D in Gold Class for examples) and my main criteria for choosing GC is to avoid the annoying crowds on opening days and for long films. Relaxing on a fold out chair was great for a film over 3 hours like Titanic.
    I can sort of see how it'd get annoying having staff continuously walk in front of you or into the cinema to serve you or others something especially during intense parts of movies.

    Quote Originally Posted by Deonasis View Post
    Gold class
    Pro: On weekdays before 5pm it costs $25 per ticket.
    Con: Every other time it is $40 per ticket.
    Damn I'm busy all weekdays and am only really free weekends. Ah well, least it was a birthday present.

    Quote Originally Posted by Doubledealer View Post
    Inside (À l'intérieur) - 2007

    This is the second film I've chosen to watch as part of my "extreme French horror" weekend. The premise is this: A pregnant lady crashes her car, the boyfriend dies (baby lives). Late one night she receives a knock on the door from an unknown woman. Madness ensues.

    As with Martyr's this film left me emotionally and physically exhausted! What a movie though, I thought it was absolutely brilliant. No one is doing horror like the French these days, they are quite simply in a league of their own. Martyrs and Inside truly are horror movies, they don't have any supernatural elements, they don't try to lighten the mood with humour, they don't provide much in the way of hope. They are realistic as all hell and that's what makes them so incredibly effective. In all of these French films (and another one I saw lately, Ils) the antagonists are all fascinating and part of the fun is finding out what drives them. This is one of the key separators between these kind of films and the garbage that Hollywood puts out. They make the bad guys interesting!!

    In the case of Inside, the bad guy is in fact a woman known only as La Femme (the woman ). This lady is the embodiment of evil! La Femme is largely what makes this film so utterly insane. I've not seen this actor before but she does an amazing job, I'm struggling to think of a more effective villain in recent times and I got nothing. The way she dresses in black with a matching corset, those facial expressions *shudder*, her witch-like presence, her body-shape even. What makes her more fascinating is that she often shows her vulnerable side reminding us that this is a normal person (albeit a very fubar in the head one).

    The atmosphere this film creates with the sets and the use of light & shadows is beyond anything I can remember. The main set (this film mainly predominantly takes place in someones house) has a kind of hazy, smokey look to it which gives it a fantastic dream-like quality. It's terrifying before anything's even happened!

    I could go on about this movie for ages but I'm not sure if anyone will even read this. Don't want to score Inside or Martyrs as they're both experiences that no horror movie fans should miss (if you can stomach them!).
    Have you seen Anti-Christ with Willam Dafoe and Charlotte Gainsbourgh? Now that's when sh!t really hits the fan.

    I'm a huge Joss Whedon fan and though I've only seen a handful of horror movies in my lifetime, but do want to see The Cabin in the Woods as it was co-written and produced by him.

  2. #2
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    Here's my review of the week and it's not Story of Ricki / Riki-O yet, as I'm waiting to see it with my best friend who is a big fan of the TV show OZ and Dragonball Z and that movie has the best of both worlds!

    COBRA (1986)




    Starring: The Obvious and Brigette Nielsen aka Red Sonja aka the 'actress' that perhaps nailed the coffin to the revelations of Arnold Schwarzenegger's unfaithful relationship to Maria Shriver, aka She-Skeletor.
    IMDB Synopsis: A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.

    Review: I understand now why this is one of the Stallone movies that isn't talked about so much compared to Rocky and Rambo. It's pure 80's predictable action flick that doesn't even deserve the R18+ rating it has now. The action is very tame just like Mad Max but it lacks the hard-hitting storyline or characters that would make it a memorable action movie.

    Stallone stars as Marion Cobretti, aka 'Cobra', a badass cop that drives a 1950's black Mercury and never misses a shot at a bad guy with his seemingly unlimited round pistol and laser-sighted scoped sub-machine gun. He's so badass that he has perhaps the most badass line any cop could say, as quoted here:

    Night Slasher: The court is civilized, isn't it pig?
    Cobretti: But I'm not. This is where the law stops and I start - sucker!

    So things get a little tough on Marion when he has to protect Brigette Nielsen, a model who witnesses a crazed cult with the most basic beliefs in Social Darwinism murder an innocent woman. This cult, known as the New World Order is led by the Night Slasher (Brian Thompson, aka Shao Kahn from Mortal Kombat Annihilation aka the guy that T100 steals clothes from at the beginning of The Terminator but I'll refer to him as Shao Kahn from now on), who whenever he's not slashing innocents with gang of slashers is having his cult ceremony in some abandoned warehouse where all members proceed to bang some axes together for dramatic effect but in the end comes across as goofy. Shao Kahn spends the majority of the movie trying to kill Nielsen but keeps on failing due to the interventions of Cobra and his partner Gonzales (our comedic relief in the form of a sugar addict that's much more laid back and doesn't eat all the right foods like Marion does, or isn't so dramatic with his line deliveries).

    And that's all the movie is really, not much really happens at all which is why I was majorly disappointed with it and more so with myself for buying it on BluRay for a killer price of $12. It's basically Shao Kahn chasing Red Sonja who is being protected by Suburban Rambo and sugar-fiend Gonazles again and again and always failing. And they don't even get that far geographically in the movie. (SPOILERS AHEAD) She has her first encounter with Shao Kahn at the start of the movie, then she escapes him when he tries to kill her outside of her work. After being admitted to hospital, she then escapes from Shao Kahn again and is taken into a witness protection program that intends to take her out of the city with our 2 hero cops and a corrupt cop that's actually working for Shao Kahn . They make it to a small motel in the country-side and that's it, that's where the last act of the movie takes place. THEY DIDN'T EVEN GET THAT FAR AWAY FROM THE CITY IN THE END. Now usually I'm not fussed when a movie does not go out to many locations but for a movie like this that has so much potential by injecting so much badassery into your main character and a storyline that can offer so much more kickass action scenes it doesn't live up to it in the end which is why maybe the ratings by users on IMDB is a mere 5.5. This movie doesn't feel like a big action flick and feels somewhat cheap compared to your classics like Die Hard. The action scenes weren't even that good in the movie (except in the end). I have a good feeling that the majority of the film's budget went to Stallone's pocket and the unnecessary scene of Red Sonja posing for photo shoots in 80's super-bizarre fashion clothing.

    ANd the movie poster is real misleading, sorry to be nit-picking but there is NEVER a scene in the movie where Cobra is using that awesome sub-machine gun and is wearing the sunglasses at the same time. NEVER. We only see him assemble the sub-machine gun in the last 3rd of the movie but by then he's gone all serious meaning he's stopped wearing his glasses.

    Now, the ending. If you've seen any 80's typical action movie then you can pretty much predict what happens at the end of this movie so don't get angry at me for talking about this part. The ending showdown between Shao Kahn and Rocky is a combination of funny, predictable and yet badass.

    Before the two get into their final fist-fight in the showdown Shao Kahn starts mocking Cobra about the fact that he has to take him in as he himself has rights. Cobra though says that he ain't bound to the law and he literally uppercuts Shao Kahn in a Rocky-fashion onto a hook that's on a moving conveyour belt that takes him into a door-frame that literally has flames shooting inwards at every single angle possible. Talk about a fatality!

    All in all , this movie gets a mere 5 from me. Average. Not bad. Nor is it good. Only watch if you got NOTHING else to do.

  3. #3
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    80's action films FTW
    New Acquisitions:
    TR Astrotrain, Skullsmasher, & Hardhead
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  4. #4
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    After a little help.

    Batrim once watched a real cheap low quality movie with beyond cheap effects about Killer birds.

    Could help with the name of that movie?

    Thanks so much


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    Quote Originally Posted by gantz View Post
    After a little help.

    Batrim once watched a real cheap low quality movie with beyond cheap effects about Killer birds.

    Could help with the name of that movie?

    Thanks so much

    *snip*
    That would be none other than: Birdemic - My good friend.

  6. #6
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    Gentlemen & a Scholar, thanks Hursty!!

    at how bad the movie really is!

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    Quote Originally Posted by gantz View Post
    Gentlemen & a Scholar, thanks Hursty!!

    at how bad the movie really is!
    No probs at all dude, just wait until you actually sit down & watch the whole thing through!

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    Anyone seen Prometheus yet? I was really looking forward to this one and I came away quite disappointed. I seriously didn't like the direction they took with the (briefly masterful) Alien series.

    I can't really go into it without entering spoiler territory but rather than focus on the good stuff, I felt we got a cringe-worthy story about the origins of mankind with the Alien universe seemingly tacked on. Seriously, why did they have to even bring the Alien universe into it? It could have been a movie that stood on its own legs ala Event Horizon, Sunshine or District 9 but no! As is, the whole concept feels incredibly forced and things I adored about the first couple of films (especially the Alien pilot, one of my favourite HR Giger pieces) now feel somewhat cheapened.

    I think the biggest problem is definitely with the script though. The movie could have actually been quite amazing. For starters, did anyone give a damn about any of the characters bar David? Personally I couldn't wait for them to all perish! Aside from the totally undeveloped, cannon-fodder generics (one is particularly laughable and made me think of Benjamin Button), the amount of things that go unexplained, the stupid things the characters do, the totally unrealistic things that happen (the best scene in the movie is also the most laughable), the cliche scares with zero suspense...It's so frustrating!!

    There were a number of viral videos which were really quite amazing and setup the story quite well. None of these were featured in the film which is fair enough (I suppose?) but for those that hadn't seen them, the film will lack even more coherence. Why didn't they at least put the freakin' Weyland speech in there??

    When it comes down to it, Prometheus is a Jurassic Park ripoff with the dinosaurs replaced by the Borg from Star Trek. If that floats your boat then you'll no doubt love it.

  9. #9
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    Quote Originally Posted by SkyWarp91 View Post
    Here's my review of the week and it's not Story of Ricki / Riki-O yet, as I'm waiting to see it with my best friend who is a big fan of the TV show OZ and Dragonball Z and that movie has the best of both worlds!

    COBRA (1986)




    Starring: The Obvious and Brigette Nielsen aka Red Sonja aka the 'actress' that perhaps nailed the coffin to the revelations of Arnold Schwarzenegger's unfaithful relationship to Maria Shriver, aka She-Skeletor.
    IMDB Synopsis: A tough-on-crime street cop must protect the only surviving witness to a strange murderous cult with far reaching plans.

    Review: I understand now why this is one of the Stallone movies that isn't talked about so much compared to Rocky and Rambo. It's pure 80's predictable action flick that doesn't even deserve the R18+ rating it has now. The action is very tame just like Mad Max but it lacks the hard-hitting storyline or characters that would make it a memorable action movie.

    Stallone stars as Marion Cobretti, aka 'Cobra', a badass cop that drives a 1950's black Mercury and never misses a shot at a bad guy with his seemingly unlimited round pistol and laser-sighted scoped sub-machine gun. He's so badass that he has perhaps the most badass line any cop could say, as quoted here:

    Night Slasher: The court is civilized, isn't it pig?
    Cobretti: But I'm not. This is where the law stops and I start - sucker!

    So things get a little tough on Marion when he has to protect Brigette Nielsen, a model who witnesses a crazed cult with the most basic beliefs in Social Darwinism murder an innocent woman. This cult, known as the New World Order is led by the Night Slasher (Brian Thompson, aka Shao Kahn from Mortal Kombat Annihilation aka the guy that T100 steals clothes from at the beginning of The Terminator but I'll refer to him as Shao Kahn from now on), who whenever he's not slashing innocents with gang of slashers is having his cult ceremony in some abandoned warehouse where all members proceed to bang some axes together for dramatic effect but in the end comes across as goofy. Shao Kahn spends the majority of the movie trying to kill Nielsen but keeps on failing due to the interventions of Cobra and his partner Gonzales (our comedic relief in the form of a sugar addict that's much more laid back and doesn't eat all the right foods like Marion does, or isn't so dramatic with his line deliveries).

    And that's all the movie is really, not much really happens at all which is why I was majorly disappointed with it and more so with myself for buying it on BluRay for a killer price of $12. It's basically Shao Kahn chasing Red Sonja who is being protected by Suburban Rambo and sugar-fiend Gonazles again and again and always failing. And they don't even get that far geographically in the movie. (SPOILERS AHEAD) She has her first encounter with Shao Kahn at the start of the movie, then she escapes him when he tries to kill her outside of her work. After being admitted to hospital, she then escapes from Shao Kahn again and is taken into a witness protection program that intends to take her out of the city with our 2 hero cops and a corrupt cop that's actually working for Shao Kahn . They make it to a small motel in the country-side and that's it, that's where the last act of the movie takes place. THEY DIDN'T EVEN GET THAT FAR AWAY FROM THE CITY IN THE END. Now usually I'm not fussed when a movie does not go out to many locations but for a movie like this that has so much potential by injecting so much badassery into your main character and a storyline that can offer so much more kickass action scenes it doesn't live up to it in the end which is why maybe the ratings by users on IMDB is a mere 5.5. This movie doesn't feel like a big action flick and feels somewhat cheap compared to your classics like Die Hard. The action scenes weren't even that good in the movie (except in the end). I have a good feeling that the majority of the film's budget went to Stallone's pocket and the unnecessary scene of Red Sonja posing for photo shoots in 80's super-bizarre fashion clothing.

    ANd the movie poster is real misleading, sorry to be nit-picking but there is NEVER a scene in the movie where Cobra is using that awesome sub-machine gun and is wearing the sunglasses at the same time. NEVER. We only see him assemble the sub-machine gun in the last 3rd of the movie but by then he's gone all serious meaning he's stopped wearing his glasses.

    Now, the ending. If you've seen any 80's typical action movie then you can pretty much predict what happens at the end of this movie so don't get angry at me for talking about this part. The ending showdown between Shao Kahn and Rocky is a combination of funny, predictable and yet badass.

    Before the two get into their final fist-fight in the showdown Shao Kahn starts mocking Cobra about the fact that he has to take him in as he himself has rights. Cobra though says that he ain't bound to the law and he literally uppercuts Shao Kahn in a Rocky-fashion onto a hook that's on a moving conveyour belt that takes him into a door-frame that literally has flames shooting inwards at every single angle possible. Talk about a fatality!

    All in all , this movie gets a mere 5 from me. Average. Not bad. Nor is it good. Only watch if you got NOTHING else to do.
    Haha, sounds like you were as disappointed with Cobra as I was with the two 'Escape from' Kurt Russel flicks. So much potential yet so terribly bad (and not in a good way). Is Cobra as bad as those films?

    Stallone is pretty great though, I love him in Tango 'n' Cash (the ultimate buddy cop movie imo), seem to remember enjoying Cliffhanger (I nearly wrote Cliffjumper then...) and for some reason Stop or My Mum Will Shoot sticks in my mind. Can't remember if that was a case of so bad it's good or just plain terrible. I'm guessing the latter? Wasn't he in Judge Dredd too?

    You're right though 5FDP, 80's FTW! Have you guys seen Predator on BD? I can't believe how good it looks in 1080P, makes a brilliant movie even better. Amazing, just amazing!

    Quote Originally Posted by SkyWarp91 View Post
    Have you seen Anti-Christ with Willam Dafoe and Charlotte Gainsbourgh? Now that's when sh!t really hits the fan.

    I'm a huge Joss Whedon fan and though I've only seen a handful of horror movies in my lifetime, but do want to see The Cabin in the Woods as it was co-written and produced by him.
    Mate Antichrist was my introduction to the genius that is Lars von Trier and I haven't been able to get enough of this directors stuff since! You might have noticed in the "tv shows what you into" thread that I'm watching The Kingdom at the moment. But yes, Antichrist....What a masterpiece! In terms of how EXTREME a film it is, yes it's got some pretty fluffed up stuff but I think of Lars movies more as art cinema whereas I'd say the French stuff is sheer white knuckle fear territory, exploring the darkest recesses of the human mind without being exploitative like a lot of the rubbish the US parade as horror. having said that, another high profile French movie "Frontier(s)" does seem a bit like violence for the sake of it, and I'm holding off seeing that one for that reason.

    For me, the absolute pinnacle of modern horror is Martyrs. It's probably the most powerful movie I've ever seen, regardless of genre. Yes, like von Triers Dancer in the Dark it takes the arguably easier approach of [minor spoiler]taking something beautiful and destroying it[/spoiler] to get an emotional response out of the audience, but even still, the story is so original, it's so well acted, you feel like you know the main character, the feeling that this could happen to anyone, the realism...All of that, it just makes it such a powerhouse.

    And then there's Inside. If Martyrs is Silent Hill 2 (here he goes again...) then Inside is Silent Hill 3. What I mean by that is Inside brings home the GORE and the fear. It's been so long since I've been genuinely scared by a horror film, well maybe not that long (the last scene of Home Movie scared the crap out of me). It's just awesome.

    Honestly, if you're a horror fan you simply cannot miss Martyrs and Inside. They are insanely brilliant!

    EDIT: And yes, I'm looking forward to Cabin in the Woods!! I love the poster for it. Not a fan of Joss Whedon at ALL but hey, this looks like something a bit different.

  10. #10
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    Quote Originally Posted by Doubledealer View Post
    Haha, sounds like you were as disappointed with Cobra as I was with the two 'Escape from' Kurt Russel flicks. So much potential yet so terribly bad (and not in a good way). Is Cobra as bad as those films?

    EDIT: And yes, I'm looking forward to Cabin in the Woods!! I love the poster for it. Not a fan of Joss Whedon at ALL but hey, this looks like something a bit different.
    Yes, that's my exact feelings for Cobra. It doesn't live up to the badassness that it offers unlike in great action flicks like Predator, Commado and First Blood, etc. I do love Stallone though, and Tango 'n' Cash is perhaps my favorite movie with him. I do have faint memories of Judge Dredd and though the plot is somewhat bland for that movie I did enjoy the visual settings and special effects and props used. How cool was that Robot villain (I think he's called the ABC WArrior in the comics)?

    REgarding Cabin in the Woods I heard that the movie pays several homages to classic action flicks in terms of horror movie ideas.

    I will be seeing THe Avengers tonight directly after work so I will post up my review around 4AM Wednesday.

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